All the world

Theatre practice in India is like the country itself—vast, diverse, pulsating. Theatre in India happens anywhere and everywhere—in badly designed auditoria, in schools and colleges, in parks and gardens, in restaurants, on rooftops, in the open fields, on the streetcorner, and even, sometimes, on moving trains. At times, it gives pure delight and touches aesthetic peaks, at others, it is brazen, rude, outspoken, blunt—or both simultaneously.

And yet, surprisingly, the actual practice of theatre in India—beyond the work of this or that practitioner remains vastly undertheorized.

In OUR STAGE: Pleasures and perils of theatre practice in India, leading theatre practitioners, administrators and scholars, social scientists and activists interrogate theatre practice in India around the themes Locales, Experiments, Assertions, Pathologies, New Realities, and Training Institutions. They also interrogate the implicit and explicit premises and projections of the 1956 Drama Seminar. Together, they give a fascinating insight on how theatre happens in India, as well on the most important issues animating this practice.

Edited by Sudhanva Deshpande (of Leftword and Jana Natya Manch, Delhi), Akshara K (of Akshara Prakashana, a prominent Kannada publishing house) and Sameera Iyengar (a Ph.D focusing on theatre in India from the University of Chicago, and Director Projects, Prithvi Theatre, Mumbai), the book has contributions from Aijaz Ahmad, Akshara K. V., Amitesh Grover, Anmol Vellani, Aparna Dharwadker, Chandradasan, Channakeshava, Dakxin Bajrange, Devi, Ekbal Ahmed, G. P. Deshpande, Gopal Guru, Koushik Sen, Makarand Sathe, Moloyashree Hashmi, Prabir Purkayastha, Pralayan, Ram Bapat, S. Raghunandana, S. Ramanujan, Sadanand Menon, Sanjoy Ganguly, Shanta Gokhale, Shiv Visvanathan, Shyamala Vanarase, Siddharth Narrain, Sudhanva Deshpande, Sundar Sarukkai, Sushma Deshpande, Vikram Iyengar, Vivek Shanbhag.


In our Performing Arts and Drama section, Rs 350, 236 pages, in paperback. ISBN: 9788189487614


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